Friday, September 11, 2009
Backstage: Ports 1961
Ports 1961 was a really fun and calm backstage experience. The MAC team was running on schedule and I caught the last model getting her make-up done. Conducted a great interview with Romero Jennings who was so excited to be working with Ports for the first time.
C: What's the look we're going for today?
RJ: It's influenced by Japanese 1930s culture. The makeup is the reflection from looking into a pond of koi fish... metallic salmon. We're going for graphic, color intensity, but still elegant.
C: Since the eye is the main focus, what steps did you take to make sure it would last throughout the show?
RJ: I used Prep and Prime (by MAC) eye primer to help the cream shadow stay in place and hold the red pigment.
C: What else with the eyes did you do?
RJ: Curled lashes and brown mascara--not black, so it wouldn't compete with the shadow. And a white eye pencil on the lower eye rim for "reflection" [from the lights on the runway].
C: What's steps should an every day girl take so she could wear this look?
RJ: Any girl can wear this. Maybe just use less shadow and a lot more mascara.
C: And the rest of the face?
RJ:Concealer around the brows, sheer skin using studio sculpt foundation and "Myth" and "Blanketing" lipstick--neutral colors.
Backstage: Ports 1961
Thursday, September 10, 2009
Runway: BCBG
So I missed Fashion's Night Out (heard it was crazy), but I kicked off Spring 2010 RTW Fashion Week with BCBG. Barely managed to grab a seat and loved skimming my free WWD. When it finally started (1/2 an hour late), I saw lots of fun party dresses with funky prints and cutouts that I could only dream of pulling off. Reminded me of the bandage type outfits in Max Azria's higher-end line, Herver Leger. Couldn't take a crazy amount of pictures due to my nosebleed seat status, but did manage to get a few decent photos.
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